FINAL DATA RUN
This is the last of these cyberpunk lists. I’ll swing back
around to check out 2017's releases towards the end of next year. But I can jack out the ‘Net. I hate that phrase. In writing these lists I’ve had to type
the word “cyberpunk” endless times. I have mistyped and corrected myself
countless instances as cyber-fatigue set in. Today I wrote it as “cyberlunk.” I
assume that’s a person so augmented that they can’t think straight anymore.
Below I present a few more alternatives:
- Cyberbunk: Either a sleeping capsule or a scam run by a
Fixer.
- Cyberfunk: Technofuturist music co-opting AI-created musical
scores.
- Cybergunk: That unsightly build up on ‘Netrunner decks that
comes from a combination of Cheeto dust and aerosol energy drinks.
- Cyberjunk: Some of the games on these lists.
- Cyberdunk: The forthcoming gritty VR reboot of Space Jam.
- Cyberlump: Every cyberpunk roleplaying book condensed down
to a 1x1x1 cube.
- Cybermonk: The obvious full-on VR cyberpunk wuxia mash up.
- Cyberpong: The ultimate old-school retro experience. Alternately:
the scent of a street samurai.
FLATLINED
While I’m focusing on core books, I include a few notable
sourcebooks and supplements (by my reckoning). Ironically, I only list books
with a physical edition. I include an electronic release if they’re notable and
of significant size. Some selections came down to a judgement call; my
definition of cyberpunk’s broad. If the product declares itself that or several
online sources give it that label, I put it in. I’m sure I missed some, so if
you spot an absent cyberpunk rpg from 2012-2016, leave a note in the comments
aka Bounty Hunter,
a French rpg. Characters play enforcers, often for corporate forces, in "Super
Europe." I love that phrase but I'm guessing Hyper Europe or something like
that would be a better translation. The game itself takes place 60 years in the future.
Like many other marginal games on these list, it has cyberpunk-style tech, lots of guns,
and an action game bent. The publisher only released a core book and GM screen.
A cyberpunk scenario/setting for Fate Core. In 2073 megacorps and discontents battle for control of a
technology known as Aeontech. This has fueled most of the advances of this dystopian
future – in computing, nanotech, energy, and beyond. But Aeontech isn’t native.
Instead it came from Mars in a blast transmission from an ancient alien satellite.
The initial decryptions spawned developments and knowledge that destabilized governments.
But that research has only just begun; who knows what else will be discovered.
In Aeon Wave’s scenario
freelancers investigate the death of a scientist, with payment in Aeontech knowledge.
As with all proper cyberpunk noir, it gets much more complicated from there. It's
a well written and presented adventure. Key characters get individual write-ups
complete with new Fate stunts. It's a
solid example of how to preset an open-ended Fate adventure. It has enough material that it could be used as a campaign
starter.
Ha ha ha…wait you're serious...?
I love crazy mash ups. Love them. Usually in rpgs we just see
systems repurposed for other genres (like doing a Star Wars Bounty Hunter game with Monster of the Week). Achtung!
Cthulhu: Full Metal Cyberpunk Interface 19.40 (AC: FMCI) crosses two settings,
a rarity. This sourcebook/adventure contains stats for both Call of Cthulhu 6th edition and Savage
Worlds. It’s split into two parts.
The first gives a solidly cyberpunk world, but one shaped by
the events of a Mythos-rich WW2. It draws a historical parallel between the two
periods. It also explicitly ties the cybernetic and other aug-tech developments
of 2090 to the mad science from the weird war. There's a lot of backstory here.
Rather than provide mechanics, AC: FMCI has tons of setting fluff. It spends a
chunk of time presenting cyberpunk-like augments in the context of the war and then
what that stuff looks like in the future. So fully half the first book isn't really
about the setting you'll actually be playing in. Are we supposed to use this to
play a cyberpunk game?
The second half of the sourcebook makes me think not. Here that
past material becomes relevant. This moves me into spoiler territory. However the
basic shape should be obvious: an adventure shifting characters from one time period
to the other.
It's a cool idea, but not really in my wheelhouse. AC: FMCI has
a niche audience: those interested in weird sources for cyberpunk tech, tying history
to the future, and/or digging Achtung Cthulhu
enough to want to have it infect other games. It’s a little bit of a mess—with
more ideas than coherency. But some of the best rpg material does that. AC:
FMCI isn't the only book in this crossover series. Two other supplements connect
AC to more WW2 leaning settings: Godlike
and Dust.
A post-apocalyptic game with heavy horror, supernatural, and
conspiracy elements. Still it has enough cyperpunk trappings to make the list. Fractured Kingdom takes place in 2202 after
a hundred-year war in which the Church of the Redeemer destroyed science, technology,
and advancement. The world has begun to bounce back but still remains a century
behind its height. Tech exists and surrounds humanity, but it's a mix of cyberpunk
and lost arts. Corporations run the show, having the greatest control over these
resources. People hunt the ruins for devices, but often have no idea what these
things do. I dig the concept of people having access to automated and cyber-tech
but no understanding or means to repair that. That’s a dynamite hook.
But Fractured Kingdom
wants to have heavy supernatural elements in the form of "Lucids." These
persons possess strange, supernatural powers. They gain these by travelling to one
of the four Outer Reams (Dark, Grave, Slumber, or Verdant). Their particular powers
depend on which realm they entered. The PCs are Lucids, trying to survive in a fallen
world filled with secret agendas, occult conspiracies, and ruthless corporations.
It’s a kitchen sink setting with a dose of Mage:
the Ascension, Over the Edge, and
cyberpunk. Fractured Kingdom came out
of a Kickstarter project. The publisher has only released the core book and a small
freebie module. Reviews are generally favorable.
I don't think that's the intent, but when I see this title I
imagine spaghetti or spasms. Why is it called NeuroSpasta? No idea. There's no explanation in publisher blurbs
or the first 50 pages of the core book. They thought it sounded cool? YRMV.
NeuroSpasta's set in
the city of Archon at the end of the 21st Century. It's "…a city with no loyalties,
no nationalities, and no ethnic superiority—a city built to shepherd a new age of
world peace." As expected there's a dark underbelly with factions working to
undermine or destroy. The designers describe the setting as "highly political."
They stress several differences from traditional cyberpunk: political intrigue over
megacorp dominance, an apparent utopia, subtle cybernetics, and people hacking.
NeuroSpasta has several
versions. It originally came out for D&D 4e & associated revisions. Presently
development focuses on Pathfinder and
D&D 5E. The system feels trad d20: new races (phenotypes), classes, feats, prestige
classes, equipment, etc. Overall it looks like one of the richer d20 cyberpunk settings.
The art and layout's decent. You're still buying more mechanics and system than
you are setting. Perhaps 50 pages out of 300 focus on background. Beyond different
rules editions of the core book and a single short gazetteer the line hasn't grown.
In a future dystopia where megacorporations have seized control,
some citizens still fight back. But they're often pitted against a growing number
of outcasts possessing terrifying psychic powers. It's a great dynamic that shifts
away from the usual binaries of cyberpunk rpgs. Psi-Punk’s a complete roleplaying game, powered by Fudge. It's a neat set up and Psi-Punk elaborates the simple Fudge mechanics with rules for psionics (and
magic), cybernetics, and hacking. The core book includes strong world details, GM
advice, and a sample adventure.
I like the concept of centering a cyberpunk game around psionics.
We've seen others include a modest sub-system or go full fantasy with magic, but
few have revolved the game around psychic abilities. It's certainly more robust than
Psi-World. Cybergeneration comes the closest, but even that has a second agenda
of youth vs. elders. Psi-Punk opens that
space up but still feels strongly cyberpunk.
A small Lulu-POD French rpg which pays homage to old school cyberpunk.
It has tight rules with a complete book over a little over 100 pages. nanoChrome contains tools for generating
the world. It follows the approach of Kevin Crawford and other OSR designers. That's
alongside a simple 3d6 system, apparently borrowed from the fantasy rpg Dragon de poche (aka Pocket Dragon). Reviews on LeGrog are uniformly
positive, stressing how simple but robust the game feels.
Part of a series of simple and complete genre games using the
OneDice mechanics. As you can imagine,
it requires only a d6 for each player. OneDice
Cyberpunk offers rules, thirty pages of setting & GM advice, plus two "skins"
for new worlds: Machine Worlds and Post-Apocalyptic. The tightness of the skill-based
system means that you don't need an additional core book (like OneDice Universal). Characters have 3-4 ability
scores, three calculated scores, a background, and a few skills. The book’s light,
with slightly cartoony line art. But if you just want to try out cyberpunk at your
table, this might be a good choice.
Or in English, “Rootsystem.” A Swedish post-apocalyptic rpg.
It presents the age-old story: Man meet Nature, Man Ravages Nature, Nature Ravages
Man, Man Retreats to Mega-Cities, Nature Takes Over. Within the cities, humanity
battles against dominance by corporate overlords. The game calls itself "retro-cyberpunk."
In this world people have "no wireless networks, no satellites, no cell phones,
no GPS." The Green World outside has a form of communication which can bore
into and take over systems using those frequencies. So I think they have a more
“hardware hacking” approach. I like that, and it suggests an interesting Dieselpunk
tone. The artwork's striking as well. A cool done-in-one game which I hope will
eventually see an English translation. The Swedish original can be purchased PWYW
from DTRPG.
Subtitle: “High-Tech Low-Life Role-Play.” Another successful
Kickstarter, Bleeding Edge comes from
Sanguine Games, publisher of Ironclaw
& Jadeclaw as well as several other
lines. It's a relatively recent game, meaning reviews have been hard to come by.
The $25 price tag for the pdf also puts it a little outside an impulse buy. It feels
like a kitchen-sink cyberpunk game, with strong anime inspirations: lots of choice,
but little focus. There's a timeline and gazetteer of the info-dump variety.
Bleeding Edge’s system
"build(s) on SRD's proven technology." By that I think they mean the d20
SRD. It seems an odd way to put it. The game drops the d20 in favor of 2d6. Beyond
that I'm unsure. I'd hoped to find a sample character sheet, but no luck. Preview
links beyond the cover image on DTRPG seem to be broken as well.
There's a kind of funny review of this on RPGNet. In opens by claiming cyberpunk died the second
it became a thing. There's a long digression on that negative position in the article.
It's a review that name drops Naked Lunch,
Gravity's Rainbow, and The Godfather. It has good
detail on Bleeding Edge if you can move
past the posturing. It may be parody, but Poe's Law holds here.
2016 saw three new PbtA cyberpunk games-- the first ones to adapt
those game elements to that genre. Headspace's
the firstI played, a pre-release demo at Gen Con a few years ago. In Headspace you run a linked group of operators.
Each person has a role in the team. But all members of the team have had their consciousness
linked together. In play that means everyone can draw on each other’s skills, but
at a risk to the group's stress and emotional stability. Absent roles and dead characters
can remain in the shared space as ghosts. Headspace
has a striking concept, and it’s the most tightly defined of the three PbtA games.
Headspace takes place
in a detailed, post-crash world. While there's some collaborative building, Headspace presents an established backdrop.
That isn't to say its monolithic; the back of the book presents several different
flexible locales. Players work to uncover and disrupt corporate and government plots.
In a Slack comment Robert Ruthven put some of Headspace in context for me, "There's...an
atonement aspect to Headspace, since all
the PCs are ex-corporate operatives turned against their former employers."
I like that- it isn't exactly the mission-based approach of The Sprawl (see below) but it does define
the play. Headspace offers a ton of tools
for tracking these organizations and their plots.
That level of detail-- there and throughout the rules—might be
why Headspace doesn't click with me as
much as other cyberpunk games. It has extensive moving parts on multiple levels.
While I might not run it, I'm not disappointed I backed the Kickstarter. The core
book has a host of great ideas and approaches to borrow for other games.
Superhero cyberpunk for
Pathfinder and D&D 5E. Before I begin, can I just say how much the Hypercorps 2099 Primer made me smile? Because
everything there has the prefix “Hyper” on it. Hyper Score, Hyper Bonuses, Hyper
Feat, Hyper Abilities, Hyper Lucky, Hyper Reputation, Hyper Flaws, Hyper Routes,
Hyper Grades, Hypernauts, and more. Hyper is the new cyber. It's wonderfully gonzo
and yet so serious. And crunchy. Really crunchy. The character sheet is crazy dense
with font choices that don't help it at all.
Hypercorps sells itself
on the transition from fantasy gaming to something different and new, a game genre
unseen before: "Hypercorps 2099 is about high-octane, adrenaline-filled missions
in a dystopic future where uncaring CEOs are the master villains, not the typical
quests of medieval adventure in which liches and thieves’ guilds are the culprits
(though in a super-powered fantasy future, it’s a good idea never to say never).
Operators (the adventurers) are grittier than the typical party—even paladins need
to eat—and making a living at the dawn of the 22nd century isn’t always going to
be honest or virtuous." There's an interesting subtext there, deliberate or
not, that gamers wouldn't be aware of these kinds of "cyber" game genres
or conventions.
The world itself arises from an 1876 time-traveler going forward
200 years. His transition creates tears and disruptions across the world. That spills
all kinds of fantasy creatures into the 19th Century. Then there's occult
experimentation, mutations, and a long and detailed timeline. Eventually we get
to the present kitchen-sink world of Hypercorps
2099. We have cybernetics, big guns, and operators who jack into the Hypernet
(there's one I missed).
The system feels like a standard SRD/d20 adaptation: new races,
feats, classes. It’s the usual fare. The Rifts-esque setting including vampire
lands, mystical Kathmandu, and apocalyptic Cleveland. The publisher has released
a couple of supplements in both system flavors. They've also been enthusiastic enough
to create a whole alternate reality line for the game: Hypercorps 2099 Wasteland. There the events of the past don't lead to
a hypertech dystopia but instead a post-apocalyptic landscape.
Set in 2233, Project Darklight
is one of the later dystopian futures. It also has multiple worlds, a relative rarity
in these games. The rpg takes up after a lengthy set of corporate wars leave only
three corps standing. But the extensive conflict has woken many citizens and
factions from their slumber. Now they're fighting back against the corporations' efforts to reclaim territory and status, selling "Project Darklight" as a way
to prosperity and safety. These are new technologies, well beyond the present levels
being pumped out from a secret research facility. The scale and scope of these technologies
leave many wondering as to where they actually come from.
Project Darklight's
built on Wordplay, a generic system I've
talked about on other lists. In it you define characters via Traits-- words or phrases.
Players may generate their traits in a number of ways. It's a process similar to
HeroQuest. They can make a simple list
or write a story and pick out elements. Unusual powers have their own mechanics,
but generally operate by the same trait system. The system's heavily narrative and
fairly simple. It takes a fully generic approach, lacking distinct sub-systems.
Everything can be handled via the resolution system. It doesn’t require further
articulation.
I like this simple but character-detail rich approach. That simplicity
means that you get a greater focus on setting and theme in the material. Project Darklight presents that well; it
breaks up sections with overview lists for example. It has the classic cyberpunk
tropes, but within a larger, interstellar, context. In other hands that could feel
gonzo and kitchen sink. Here it works. I'd recommend this to someone wanting a longer-term
cyberpunk story game.
What The Sprawl does,
it does well. It’s the second of the trio of cyberpunk PbtA games released
in this period, the first to actually see print. The Sprawl simulates classic, mission-driven cyberpunk adventures. There's
a structure to the sessions: get a job, plan a job, execute the job, get paid, clean
up. It's one of several recent games with a baked-in game sequence (Blades in the Dark being another). It is
possible to broaden that approach over time; the book provides advice for doing so. But that will probably be after multiple missions.
And maybe multiple characters.
Played straight, The Sprawl's
a seriously lethal game. I ran ten sessions online and I nearly killed a PC (or
more) in most of those games. Eventually the players learned how to manage risk;
that’s an awesome arc for play. You can see my longer examination of The Sprawl here.
Long story short, I dig The
Sprawl for what it wants to do. It's excellent within that mission-driven framework.
I can see ways to expand that, but it hums in its element. I particularly like the
way players collaboratively build the world. They start by creating the corporations
which define it. That gives the game a clear focus. If there's one weakness, that
would be in the Netrunning rules, always a sticking point for cyberpunk games. But
that may be more a weakness of my execution. I only had one runner when I ran
and I maybe gave short shrift to those elements. That’s a tough balance. There's
a lot of amazing stuff in The Sprawl (the
use of clocks, for example) that any cyberpunk GM should examine.
It's fitting that I wrap up these cyberpunk lists with The Veil. It bookends the genre: Cyberpunk 2013 sets the basics and The Veil moves us to a post-cyberpunk space.
That isn’t a shift to standard sci-fi or transhumanist fiction. Instead The Veil borrows and reworks concepts from
cyberpunk. It comes from someone who didn't grow up with old school cyberpunk elements
as the default. It's from someone who read later-wave and recent spec-fic, someone
whose cyberpunk anime experiences didn't begin with big guns & hot chick mecha.
It's a fresh perspective, and one that makes me feel a little old. (And contrary
to how my friend Paul feels, I still think it’s cyberpunk.)
I've written a longer piece with my impressions, but I'll condense
and focus those here. The Veil’s a PbtA
game with a looser setting than many cyberpunk rpgs. Here player/MC collaboration
creates the world. We’ve seen that before with The Sprawl, but that has a strong story structure echoing classic burning
chrome and grimy operator cyberpunk games. The
Veil has a single key setting conceit, the Veil, a level of augmented reality
everyone’s plugged into. Several actions in the game tie to the Veil literally and
metaphorically. At first I wasn’t sure about that, but a couple of sessions in I
saw how much you could shape the concept of the Veil itself: how it works, what
it does, how potent it is, who has control.
Like other PbtA games, The
Veil has playbooks. They’re all striking and distinct, carving out their own
niche in the fiction. Each has a small, but evocative set of unique moves. But as
important as the moves, each playbook contains background questions and decisions.
These aren’t just the usual relationships and backstories. They ask you to define
fundamental aspects of the world and your role in it. Each has something that it
establishes about the world. The Catabolist deals with cybernetics and implants.
The Apparatus is about artificial life. The Architect covers the metaverse &
Veil. The Wayward decides what lies outside of the urban world. Playbook choice
has a dramatic impact on the game you’re going to play. The combinations and interactions
of the playbooks within a group create a distinct play universe.
There's more but I think what strikes me most is how quickly
The Veil generates interesting stories.
The best PbtA games do that quickly and capture the feel of the genre. I've run The Veil more than a dozen times and each
new world has felt distinct and vibrant. I'm not saying the game is perfect. It
has some mechanical clunkiness in a few playbooks, more terms than necessary, a lack
of character material in the core rules, and the need for another editorial cutting
pass. But it's solid and not just one of my favorite cyberpunk rpgs, but one of
my favorite rpgs period. If you're looking for classic cyberpunk this isn't it.
But it is a game where you can really explore the themes and ideas of that genre,
often without killing anyone.
16. Miscellaneous: Cyberpunk
Adjacent
Games which lean into or have some of the cyberpunk trappings but
which didn’t match my arbitrary and hidden data assessment.
- Falling
Stars: Alien races, tactical combat, corporate intrigue.
- Kaisho: Global cataclysm
followed by world flooding followed by alien invasion. You’re part of the
resistance in a setting with tech like skill injections and chi
manipulation.
- Magarchy: An
alternate history fantasy Fate Core
setting. “Magarchy takes its
inspiration from both history and modern cyberpunk genre stories, posing a
thought provoking juxtaposition of places and themes. Hacking cybertechnologies
and slinging powerful spells to fight or aid trans-kingdom companies bent on
exploiting the peasant masses, Magarchs find themselves at the center of a
timeless conflict between tradition and innovation, church and state, power and
principle.”
- MERCS: An Italian Savage Worlds campaign book. Players
become space mercenaries in a cybernetic future. Shades of other big guns games
like Mutant Chronicles.
- Robotic Age: Here
androids and humans struggle for rights, control, and status. It's a world with
easy access to tech and dangerous wepaons, alongside strong social divisions. Despite
that seriousness the cover and the interior art has a cartoony quality. And big
guns.
- World War Korea:
A French “turnkey” campaign set in a near future. Players race to thwart the
schemes of multinational corporations. Timely.
- The Zombie Squad:
Prisoners of the corporations “volunteer” to be heightened soldiers under their
control.
17. Miscellaneous PDF-Only
Releases
Arbitrarily cut off at products with at least two dozen
pages.
- always/never/now:
A successful Kickstarter from Will Hindmarch. Cyberpunk rpg campaign with
shades of Lady Blackbird.
- Black Hack Cyber-Hacked: Adaptation of the popular Black Hack to the
genre.
- cyber.net.ica: A world of living cyberspace. Has versions
for both The Black Hack and Tunnels & Trolls.
- Cyberblues City: A self-described “mellow” cyberpunk rpg.
- Cyber-Fate, Cyber-Cthulhu,
Cyber Multiverse: Shovelware releases from Starbright.
- Dark Orbital: Cyberpunk location sourcebook For
Starcluster 4
- Fates Worse Than Death Rentpunk: A supplement for FWTD that focuses on
struggles between roomies.
- Kill
The Buddha: Dystopian Kung Fu Roleplaying: Exactly what it
sounds like.
- Mirrorshades: Another one based on The Black Hack.
- Modern Adventures: A Pathfinder
“modern” supplement which includes the “Silicon Gothic” sample setting.
- Nexus D20
Cyberpunk: Cyberpunk supplement
for the Nexus D20 System.
- Rewired: A “Quick and Dirty" cyberpunk rpg.
- Soldiers of Misfortune: “Prepare to enter the cyberpulp worlds of Soldiers of Misfortune where
bare-knuckle boxing a giant shark person and jumping out of a one hundred story
building escape corporate security androids is just part of an honest day's
work
- The Cyber Age: Campaign sourcebook for Infinite Futures a Pathfinder-compatible product.
- Tweaks: A great
rpg of the proto-cybernetic world.
- Welcome To Neuro
City: Fantasy
cyberpunk supplement for Arcana Rising.
- Wield Companion: Includes a section on cybernetics as the
animate weapons and items of the Wield rpg.
Book of the Lost (Shadowrun)
Godless (Shadow of the Demon Lord)
Book of the Lost (Shadowrun)
Godless (Shadow of the Demon Lord)
